Another year, another Oscar night with no Oscars. For me, anyway. M once again trudged through the snow to an Oscar party at her friend’s place across the street, and I settled in to watch some unfamiliar science fiction. This is my seventh year doing this, but only the second year of inviting people to join me. Despite some miserable road conditions and a lot of wind – blown snow, I had a pretty good turnout. Only a few people got stuck at home and couldn’t make the drive (which meant we were a little less crammed, haha, so silver lining I guess). First up?
There’s been an earthquake convergence! And a mixing of civilizations! And there’s a globe spanning wind so amazing that everybody uses planes to get around (and occasionally to hit people)!
This one was a lot of fun, if a little loose plotwise. Not that it lacked one, but it seemed to change direction a few times. Bad guys became good guys and criminals became innocents and antihero types became more anti than hero. I expect much of this was intentional, and in a more polished film it might have worked, but the characters in this one felt more like cookie cutters that wouldn’t keep their shape than fully realized individuals that couldn’t be so simply described. Six of one, I suppose.
Ben Kingsley was in this one, too, but his five minutes were almost up before we even recognized him, haha.
I feel like Slipstream reached a little beyond its grasp. What felt like inconsistent characterization was probably supposed to be complexity and growth. I liked that it tried to drop us into a world and then show rather than tell, but it felt more incomplete than expansive.
Mark Hamill had a much smaller role than we anticipated. Slipstream seems to be one of those movies where they sell it on the presence of a well known actor in a lesser role, without really making it clear that’s the case. I forgot Paxton was even in it, despite him getting first billing on the DVD case. Added an element of surprise, haha.
All that said, we liked it. It could have used a lot of improvement, but I don’t want to give the impression it was a tire fire. It probably tried to do a bit more than it really had the chops for, but overall it was a win. Which brings us to…
The Andromeda Strain 
In terms of quality, this was the big winner of the evening. A fallen satellite/probe has brought something home with it, and that something isn’t good for people.
A whole town is dead, along with everybody that’s tried to enter since the satellite crashed. An elite team of scientists is brought together, and they attempt to identify and nullify the threat using… science. This is literally a few people in a bunker running tests for the better part of its two-hour-plus runtime, and it is absolutely intense.
Every answer brings further questions, and immense preparation proves insufficient as the team races to determine what exactly the potential epidemic is, and how to prevent it from destroying humanity.
The characters are well developed and each bring their own beliefs and scientific prejudices into this overwhelming situation. I can see why The Andromeda Strain is still considered by some to be the benchmark for epidemic/outbreak films; it really does everything right.
In addition to the town full of dead people, there are a few animal tests undertaken as they investigate the pathogen that are a little horrific; the movie bears a PG rating but those situations could with the heavy realism make that seem a little light to me. Plus, I think you’d want to be a little older to really appreciate it, anyway.
The crowd thinned a little after this one, as we were already rolling into the wee hours of Monday morning, but a few of us stuck it out for our final flick…
TimeRider: The Adventure of Lyle Swann 
TimeRider was a nice light romp of a movie, following a motocross biker with mad skillz and no navigational talents that gets lost and drives through a secret time travel experiment. Oops! Poor Lyle winds up a hundred or so years in the past with no idea what’s going on. But, seriously, no idea. Everything’s filthy, he keeps getting shot at, and nobody understands half of what he’s saying, but he mostly just seems to think he’s lost and things are weird. At one point somebody specifically namedrops the very recent Civil War, and he just responds that what they’re saying doesn’t make any sense.
This one definitely benefits from a healthy suspension of disbelief, but we had at least some idea of that going in. Not all the details, but we at least knew we were going to watch a motocross racer go back in time for some reason, so we were more or less in an appropriate frame of mind. Peasants are terrified of him, a local girl takes a shine to him, and of course the outlaws he runs into decide they need to have his ‘machine’ for their very own.
Some US Marshals turn up hunting said outlaws, and Lyle teams up with them in an effort to save the girl and his motorcycle. Classic stuff. We get a number of shootouts, some clumsy romancing, and a subplot back in our own time involving the scientists trying to find a way to undo their mistake. TimeRider didn’t feel like it was trying to do anything too fancy (it is what it is, if you will), but it promised me some goofy time travel shenanigans and it delivered.
I wish the Adventure of Lyle Swann had felt a little more adventurous, but overall we all had fun with it, and that’s really all we were asking for.
And that’s the 2019 Oscar Night Scifi Superfest! Time to start planning for next year.
It’s that time of year again already! M trekked across the street for her annual Oscar party, and I settled in for some science fiction flicks that I’ve somehow managed to never see. First up?
Primer must be one of the most recent movies I’ve ever watched on Oscars night, but it’s still been on my list for entirely too long. If you’re not already aware, it’s a super-smart independent time travel film. This particular DVD has been sitting on my shelf for the better part of a decade; I knew it was complex and intelligent, so I didn’t want to sit down and only half watch it, as I knew I’d get lost doing that.
I’m glad I gave it my attention. Partly because it was really solid, and I liked it a lot, but also because I’d heard right… this movie had some serious expectations for its audience. I paid attention throughout, and I’m no dummy, but I still checked online the next day to make sure I’d caught everything (I did pretty well if you’re curious). Really glad I finally got around to seeing this.
This is the first year that I actually invited other people to join me for Oscar night. Life being what it is I still ended up mostly soloing the first and last films, but I had a couple other viewers for the most anticipated movie of the evening:
Slave Girls from Beyond Infinity (1985)
Daria and Tesa, ready to fight back.
This was pretty much just as amazing and bad as we all expected it to be. Chunks of plot seemed to exist purely so they could justify the title, and it was way beyond cheesy. High points included the bickering androids using ‘robot voices’ to accuse one another of shirking work and tattling, the completely random insertion of a ‘phantom zone’ (full of zombies, for the record, and no phantoms at all), and a villain that – from about 2/3 of the camera angles – looked like an uncanny-valley clone of Christian Bale.
The plot is ostensibly a ‘most dangerous game’ sort of deal, but it takes most of the movie to get to the game itself, and the main hunt only lasts about 20 minutes. We were all very entertained, though, so we’ll call this one a win this time around.
Daria leads Rik back to the castle, after a long night of setting up two traps that will accomplish little to nothing…
Silent Running (1972)
This is probably the youngest I’ve ever seen Bruce Dern. He cares for one of the Earth’s last forests, in a dome attached to a spacecraft. The other 3 members of his crew don’t care so much, and when they receive orders to jettison and nuke the forests so that their ship can be converted into a commercial freighter, poor Bruce is the only one not thrilled with the orders.
Tragedies occur, things go south, and Bruce is left trying to care for a single surviving domed forest with the help of three squat little bots; he renames them Hughie, Dewey, and Louie. Tortured and alone, he eventually reprograms the drones for medical needs, poker playing, and other useful skills, and goes a little stir crazy while he’s at it.
I liked this one as well (it was a good year for SciFi night), and I’ve been meaning to watch it for ages. It’s on tons of ‘you need to watch these’ science fiction film lists, but it always got bumped for other things. No more! It wasn’t exactly a fast-paced film so it may not be a great fit for everybody, but it certainly feels timely (environmental issues haven’t exactly faded into oblivion over the last few decades), and was a fine closing to 2018’s Oscar Night SciFi Superfest. Here’s to next February!